ANTHOLOGIES

Opening Lines: The 2011 Girls Write Now Anthology

The 2011 curriculum at Girls Write Now was organized around the idea of “Opening Lines”, a tradition at the beginning of every GWN salon and community event. Opening Lines is a time for community members to forget the trials of the day, and center themselves in their own creativity. Each chapter of this volume welcomes us with the first line of a mentee’s piece written this season.

2011 anthology: Opening Lines
2011 anthology: Opening Lines

“We see an opening line as an invitation to another world, to a new perspective. “Will you come with me?” the line asks. This is what we ask of you — share our journey. Inspired by this concept as both mentors and editors, the members of the Anthology Committee challenged each other to reconsider the genre-based structure of our annual book, to open up the possibility of understanding our community in an entirely new way. What emerges in our weekly pair sessions, our monthly group workshops, and our public reading series?”

Support Young Writers

Get a copy of the Girls Write Now 2011 Anthology: “Opening Lines” to support our mission to champion writers to break down the barriers of gender, age, race, and poverty to mentor, teach, and connect writers and leaders across disciplines and around the nation. With a focus on those historically disempowered due to their gender and gender identity, we harness the power of stories to shape culture, impact industries, and bridge worlds.
Reading from the 2024 Anthology Launch Party

Foreword by

Nana Ekua Brew-Hammond

Guest/Teaching Artist

Nana Ekua Brew-Hammond is the author of four books.

Her children’s picture book BLUE: A History of the Color as Deep as the Sea and as Wide as the Sky, illustrated by Caldecott Honor Artist Daniel Minter, was named among the best of 2022 by NPR, New York Public Library, Chicago Public Library, Kirkus Reviews, The Center for the Study of Multicultural Literature, Bank Street College of Education, and more. BLUE is on the 2023-2024 Texas Bluebonnet Master List; it has been honored with the NCTE Orbis Pictus Award® recognizing excellence in the writing of non-fiction for children; and it is an NAACP Image Award Nominee for Outstanding Literature for Children. It was named to the American Library Association’s 2023 Notable Children’s Books and nominated for a 2025 Georgia Children’s Book Award. Brew-Hammond also wrote the young adult novel Powder Necklace, which Publishers Weekly called “a winning debut”, and she edited RELATIONS: An Anthology of African and Diaspora Voices. Kirkus Reviews called the anthology “smart, generous…a true gift” in its starred review.


Her newest novel for adult readers, My Parents’ Marriage, was featured in The New York Times Book Review’s July 7, 2024 “…Also Out Now” column, Minneapolis Star Tribune, Booklist, and more. The author Melissa Rivero called it “a propulsive read that will take hold of you with its honesty, determination, and heart,” while the author Vanessa Walters described it as “an arrestingly evocative story…which dismantles immigrant clichés.”


Brew-Hammond’s short fiction for adult readers is included in the anthologies Accra Noir edited by Nana-Ama Danquah, Africa39 edited by Ellah Wakatama Allfrey, New Daughters of Africa edited by Margaret Busby, Everyday People edited by Jennifer Baker, and Woman’s Work edited by Michelle Sewell, among others. Addittionally, her writing has appeared in Now2, African Writing, Los Angeles Review of Books, and Sunday Salon.


From 2018-2023, Brew-Hammond was a Pa Gya! Literary Festival Guest Author, and she was a 2019 Edward Albee Foundation Fellow, a 2018 Aké Arts and Book Festival Guest Author, a 2018 Hobart Festival of Women Writers Guest Author, a 2017 Aspen Ideas Festival Scholar, a 2016 Hedgebrook Writer-in-Residence, a 2015 Rhode Island Writers Colony Writer-in-Residence, and in both 2015 and 2014, she was shortlisted for a Miles Morland Writing Scholarship.


Passionate about Africa’s varied fashion traditions and techniques, Brew-Hammond was commissioned by the curators of Brooklyn Museum’s “Africa Fashion” exhibit to pen and perform an original poem for the museum’s companion short film of the same name. In the clip, she wore a look from the made-in-Ghana lifestyle line she co-founded with her mother and sister, Exit 14. The brand was featured on Vogue.com. Brew-Hammond’s fashion sense has been captured by New York Magazine, Essence Magazine, BFA, TheSartorialist.com, Paper Magazine, and The New York Times, among many other outlets.


Every month, Brew-Hammond co-leads a writing fellowship whose mission is to write light into the darkness. Learn more about it at redeemedwritersgroup.com.

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Take A Look Inside

Opening Lines: The 2011 Anthology

An Excerpt by a Girls Write Now Mentee

“I felt alive on the six-story rooftop of my abuela’s Harlem apartment building. It was summer and though there was no sun, I felt the night seeping through my pores, igniting wave after wave of pure heat through my bones. The rich texture of the Dominican language from the streets below like an angel’s harp to my ears. The blasting of bachata from the adjacent building causing vibrations to mix a new life inside of my very skin, expanding my vibrant mocha to a caramel brown.”
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Chan Tareya Paredes Mentee

Intersectional Voices in Editorial Print Committee

Every year, the Intersectional Voices in Editorial (IV Edit) Print Committee brings their talents to the task of editing, producing, and promoting this fresh collection of writing from today’s emerging voices. The committee is made up of mentors, mentees, and other volunteers who are passionate about diversifying the publishing landscape.