ANTHOLOGIES

Bridging Worlds: The 2009 Girls Write Now Anthology

The theme of 2009’s anthology, “Bridging Worlds”, lies at the heart of what Girls Write Now does: connecting women, girls, and gender expansive creatives of all ages. The relationships that form through our events, journeys, and, of course, our mentorship can be truly life-changing. Dive into the work these connections fostered by taking a look at this unique collection.

The theme Bridging Worlds was chosen during the 2009 season because that’s precisely what we do through our one-to-one pair meetings, monthly workshops, and large-scale public readings: dissolve the boundaries between generations and genres; span the divide between emotion and expression; and traverse those conveniently kept and dangerously unexplored places “between blindness and sight,” “rejection and desire,” and “loss and love.”

Support Young Writers

Get a copy of the Girls Write Now 2009 Anthology: “Bridging Worlds” to support our mission to champion writers to break down the barriers of gender, age, race, and poverty to mentor, teach, and connect writers and leaders across disciplines and around the nation. With a focus on those historically disempowered due to their gender and gender identity, we harness the power of stories to shape culture, impact industries, and bridge worlds.
Reading from the 2024 Anthology Launch Party

Introduction by

Judy Blundell

Judy Blundell, pseudonym Jude Watson, is an American author of books for middle grade, young adult, and adult readers. She won the annual National Book Award for Young People’s Literature in 2008 for the young adult novel What I Saw and How I Lied, published under her real name by Scholastic Books.

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Judy Blundell

Take A Look Inside

Bridging Worlds: The 2009 Anthology

An Excerpt by a Girls Write Now Mentee

“He lives on my floor, at the end of the second of the four hallways that branch out from the elevator like the legs of a spider. He strides down the hallway with his hands in his pockets, bouncing with each step as if his legs are too long to move his body efficiently. He is always dressed in the same black leather jacket, which exudes the musty, cigarette-tinged odor that comes from spending years in the same closet. He is the sort of tall, lean person who tends to mold himself into a doorframe whenever there is one available. He is temporary, never really belonging wherever he is: a question mark, an eraser smudge.”
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Clio Contogenis Mentee Alum

Intersectional Voices in Editorial Print Committee

Every year, the Intersectional Voices in Editorial (IV Edit) Print Committee brings their talents to the task of editing, producing, and promoting this fresh collection of writing from today’s emerging voices. The committee is made up of mentors, mentees, and other volunteers who are passionate about diversifying the publishing landscape.