A flutter of silver vanishes before I can believe it—tadpoles zip around a bed of pebbles.
“I write with a pen that has no ink.
I write my name in the air
and shout it, but no voice comes out.”
—Mosab Abu Toha, “This Is Me!”, AGNI Magazine
A powder-blue sky yawns open. An ant, dragging a leaf larger than itself, stumbles onto the
sugared crust of a cheese danish I left behind. Maybe it has a colony to feed.
I flick a few crumbs from my lips into the grass as an offering.
The trees lean forward, and the dock does not creak when I sit. My notebook lies sun-warmed on
my lap, but the ink sits heavy inside my pen. The world moves, though my mind is anchored.
A flutter of silver vanishes before I can believe it—tadpoles zip around a bed of pebbles.
The paper stares back, still blank despite sitting for hours. A heron startles across the shallows.
Turtles tan in tight rows on flat rocks. The lake asks nothing of me, so I hold my silence.
My pen taps restless against my knee, chasing a rhythm the words refuse to follow.
The pen hovers, useless. A beetle tunnels into bark, certain of its own small mission. I shift, but
leave no mark. Even a line of geese can cut the sky with intention.
The sun has changed sides, yet I still can’t carve anything out of this quiet.
This piece was originally written for my Workshop in Poetry class, where our theme centered on imitation—studying and emulating other poets as a way to refine our own voices. The poem later evolved through my participation in the Girls Write Now Multimedia Tour, specifically during a Photopoetry course that encouraged us to blend visual and written storytelling. Through that experience, I deepened my understanding of vital photography techniques—like lighting, framing, and timing—and began exploring how images and poems could enhance each other rather than stand apart. This poem is a quiet meditation shaped not just by words, but by the act of seeing.