ANTHOLOGIES
Taking Our Place in History: The Girls Write Now 2020 Anthology
Girls Write Now is thrilled to be in partnership with Dutton, who produced this year’s anthology. A special thanks to the team at Dutton—Christine Ball,Maya Ziv,Marya Pasciuto and Hannah Feeney, and to Feminist Press and Jamia Wilson, who produced the e-book. Thank you as well to Amazon Literary Partnership for their continued support and for recognizing Girls Write Now as a 2020 grant recipient, which directly funds the production of our anthologies.
The Girls Write Now 2020 class of mentees are using their voices for change in one of the most uncertain periods of modern history. This book invites you into their homes and families, their schools and neighborhoods, their hearts, hopes, and fears. Enter a world where clay creatures take on aluminum oppressors. Get thrown against an elevator wall in the midst of a horror story. Go backstage with a rock band, say goodbye to relatives as you start a new life, stand with an engineer solving a coding problem. Stare out from a coffin—or up at whales in the sky—and fall in love with the color of your skin. Experience tragedy in a mosque, feel the wounds of slavery, know the terror of glass shattering in a World War II village, and see how this next generation of leaders look to the past and write their present to create a better future.
Introduction by
With a Poem by
Read What's Inside
Browse our collection of stories from inside the book. Complete with notes from the author and anecdotes from our mentees and mentors.
Taking Our Place in History: The Girls Write Now 2020 Anthology
Stories from Inside "Taking Our Place in History" Coming Soon!
Stories from Inside "Taking Our Place in History" Coming Soon!
Flicker Out
When I sat down one November evening and stared at the empty Google Doc on my laptop for 15 minutes straight, I knew I was experiencing burnout. Drafting this piece was quite meta: I struggled to write about my struggle to write.
exist(ing)
My piece was inspired by an article in ZORA, a publication by and for women of color, entitled “Black Women Are Driving a New R&B Resistance” by Mary Retta. Black women's identities have been degraded for so long that in attempts to uplift us, we're portrayed as deities instead of human.
It Runs In My Family
My family means everything to me, so I’m giving back to them when I succeed. This piece reflects me giving back by making them proud, and by rewriting the course of my family history.
The Journey
My piece is about my journey traveling across the world to build my confidence in the science world. I was taught to make history in breaking the stereotypes of women in STEAM (Science, Technology, Engineering, Arts, and Math).
Flower Crowns
This is a scene from a novel that I've been working on forever. Anna is saying goodbye to her best friend—who has died trying to save her—and learning about grief and the past from an older woman.
Freedom
A big part of women “taking their place in history” involves them stepping outside their comfort zones and being free to express themselves in a patriarchal society. My poem explores this freedom and the mixed emotions that come with this feminist evolution.
Distorted Atmosphere
This poem tumbled out of me on a night when I felt lost and confused in my own mind. This is a compilation of my insecurities and social anxieties; I wanted to write this piece for anyone who needs a reminder that they are not alone.
¡DAVID!
“Rapunzel dear, where are—oh hello, my dear. He is going to be here in ten minutes.”
Epiphany
Taking Our Place in History means making contributions to solve societal problems and being accountable for one's actions.
Within Limits
To take our place in history, we must also take a place within ourselves by being conscious of how we feel. Mental health is one of the least discussed yet most prevalent parts of our past, present and future, as our mentality about ourselves and about the world, defines us.
Taking Our Places in History
From the Literary Community
Intersectional Voices in Editorial Print Committee
Every year, the Intersectional Voices in Editorial (IV Edit) Print Committee brings their talents to the task of editing, producing, and promoting this fresh collection of writing from today’s emerging voices. The committee is made up of mentors, mentees, and other volunteers who are passionate about diversifying the publishing landscape.