Ouroboros
A simple, strong poem on the endlessness of change and how, although it may be scary— it is necessary for growth.
i shed my scales with each dawn’s passing, silvery-slick down the hillside and through the dewy blades. you cannot see me, and you cannot hold me, for i am forever diminishing and always returning; never stagnant, consuming myself. scabs rust over, a bronze shield formed— stronger each time it appears anew. my body a perfect circle - my tongue running over each bump, vermillion dripping from both fangs. consumption is anguish. did you know? gods are the most unforgiving of all even though they have created us. in my final hours, with the dying light casting shadows of people on my inhumane figure, the earth rumbles something dark; something angry. ichor pours from the fissures in each crack of earth’s taut surface, pulled apart, golden rivers flowing a pious path down to ragnarök’s origin. i am its epicenter, snakeskin tearing apart, another layer flaking off. asgard has decided: hand-picked ordainship splatters marble steps, a mountainous peak where they roll me down its length, stricken, light- ning through the clouds. the natural disaster has found a home under my skin. perpetual, there cannot be an end. i suppose, in a way, we are all immortal like this. each misgrievance, another storm to live through. scars on skin, scales on serpentine miracles - like shooting stars, dying gloriously on each curve of the body, each cosmic limb. doused in starlight, i’ll watch myself from the core of the earth. by the end, disaster carves new mountains from rubble and ruin, nature undiscovered and revived. tectonic catastrophe lies in the palm of our hands, plates shifting with motion- less revelations. pinch them together between pinky and forefinger and wait. the world has ended, the world is ending, and we shall be stronger for it.
Process
I have been fascinated by the concept of the ouroboros for a long time and thought that the idea of eternal destruction and rebirth was fascinating. Though my initial thought was that a snake perpetually consuming its own tail sounded like anguish, I came to the realization that this suffering is necessary throughout life for growth of any kind.
I decided to base my poem on this idea and, loosely, on the principles of philosophical stoicism. I also included Norse mythology allusions throughout my piece and followed a freeform poetry format. I’ve always enjoyed alliteration and tried to write some in. I also heavily experimented with perspective and the difference between myself, the reader, and the world before I came to a more specific point of view.
My core group reviewed this poem. They helped grow my confidence in this piece!
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Irena Marsalek
Originally from Queens, New York, Irena Marsalek is intellectually creative with a passion for fictional writing and playing the electric guitar. She is a Fall intern at CreateHER focusing on playwriting as a gateway to explore other forms of creative communications. She will be attending college next Fall majoring in English. Irena is excited to participate in the Writing 360 Program in hopes to challenge her writing skillset.