The Book of Extinct Creatures is a collection of mixed-media work for children. Through animals past and present, young readers will learn about important topics such as climate change and evolution.
How often do you get to read poetry from the brain of a real teen? Everyone reads young adult books, but they’re written by adults so here’s your chance to read poetry from a teen, expressing themself. My work is inspired by prompts given to me by mentors or random thoughts and questions I have about life.
This project sums up the type of writing I typically read and write myself. It is meant to be suspenseful and vague, which is why the words are so limited. I like giving the reader a lot of space to interpret my work in ways that are unique to them, which is why details about the characters and setting are not specified.
In a Halloween-esque manner, this poem explores silence, ritualistic elements of insomnia, and isolation. What it means, however, is up to you to interpret.
I sat in Port with my legs curled up on the floor, leaning up against my bunk bed.
Acne is not permanent; it will go away eventually. But there are also scars that can’t go away—they stay with you forever. In my piece, I decided to elaborate on this concept by explaining that not all scars can disappear, but we have the opportunity to embrace them, love ourselves for who we are as human beings, and not let society dictate our beauty.
As a teenager grows into adulthood they begin to understand the consequences of their words. They no longer have bliss, and the people around them continue to remind them of it.
We have used computer code as a form for poetry that also reinforces its content. By deploying functions and conditionals to drive narrative, we interrogate the value of art vs. other modes of expression.
On a warm spring’s day, I walked down the street and I saw a bee. I wondered what other functions it had besides pollinating.
A collection of poems, letters and photographs detailing what it’s like to go through the five stages of human life—childhood, adolescence, adulthood, aging and death—from the perspective of a young girl.
A riddle in the form of a poem and an answer in the form of flash fiction.
Oftentimes I tend to focus on generational curses, the bad traits I’ve received from my family. My piece reflects on this and the generational blessings passed down.
This poem comes from a page of “The Power to be Affected,” a philosophy essay by Michael Hardt. It is a work that first resonated with me at age 14.
This poem depicts a dysfunctional relationship in which the protagonist feels constricted by the person they love, but nevertheless wants to be with them. The color schemes and backgrounds used heighten the emotional complexity as well as the aesthetic of the piece. This poem was inspired by many books I have read in which the characters have an unusual romantic relationship, and I wanted to show the intricacy of the emotions the characters feel.
These pieces are erasures of “The Star-Spangled Banner” and “Lift Every Voice and Sing,” the national black anthem. My mentor gave me prompts to erase both of them, side by side, after noticing the differences between them.